Gail Ritchie Contemporary Art
The year started as it ended - preoccupied with time. Using the circular form of the traditional clock face, I began experimenting with non-numerical ways of marking the time, in splashes and drips and floods of pigment. From the start of the series to the end, these studies progress from faint mark making to blocked out circles where no marks can be seen. Studying these, I reflected on how they were analagous to how we humans have left our mark on the earth - from barely a trace to virtual obliteration of anything that is sensitive to our presence. Reading around this led me to consider the Doomsday Clock where, in 2023, those involved in its calibration have calculated that we are now 90 seconds to midnight. In other words, the closest we have come (since 1947 at least) to wiping ourselves out by war, climate change, biological threats and disruptive technology. On this cheerful note (!) one can be optimistic and think that things can only get better but realistically, the best we can do is arrest time, or roll it back. In 1991, the Doomsday Clock was the furthest it has been from midnight at seventeen minutes, marking the end of the Cold War. As the days become perceptibly brighter and therefore longer, I hope we all have enough time to do the things we need and want to do and to make our mark lightly.
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August 2024
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